Harlem Renaissance Literature Flashcards
Grade 11 · English · Flashcards
Key authors, works, concepts, and historical context of the Harlem Renaissance literary movement.
Flashcards
- Harlem Renaissance
- An African American cultural and literary movement in Harlem, New York (1920s–1930s) that celebrated Black identity, art, music, and literature during a period of racial oppression
- Langston Hughes
- Poet and central voice of the Harlem Renaissance; blended jazz/blues rhythms with social commentary; major works: 'The Weary Blues,' 'I, Too,' 'Harlem (A Dream Deferred)'
- Zora Neale Hurston
- Novelist and anthropologist; 'Their Eyes Were Watching God' (1937) is her masterwork; collected African American folklore in the South; rediscovered in the 1970s
- Claude McKay
- Jamaican-American poet and novelist; 'If We Must Die' (1919) is a defiant sonnet against racial violence; wrote 'Home to Harlem' (1928)
- Countee Cullen
- Harlem Renaissance poet known for classical forms; 'Heritage' asks what Africa means to an American-born Black man; 'Incident' depicts a childhood encounter with racism
- Jean Toomer
- Author of the experimental 'Cane' (1923), blending poetry and prose to depict Black life in Georgia and Washington D.C.; a forerunner of literary modernism
- Alain Locke
- Philosopher and first African American Rhodes Scholar; edited 'The New Negro' (1925), the defining anthology of the Harlem Renaissance
- W.E.B. Du Bois
- Scholar, activist, and NAACP co-founder; coined 'double consciousness' in 'The Souls of Black Folk' (1903); edited The Crisis magazine
- Double Consciousness
- Du Bois's term for the sense of always looking at oneself through the eyes of others — the tension between being Black and being American
- The New Negro (1925)
- Alain Locke's landmark anthology that collected Harlem Renaissance literature and art, serving as the movement's cultural manifesto
- Great Migration
- The movement of roughly 6 million African Americans from the South to northern and western cities (1910–1970), creating the conditions for the Harlem Renaissance
- Fire!! (1926)
- A radical literary magazine of the Harlem Renaissance, co-founded by Langston Hughes and Zora Neale Hurston, which pushed boundaries on race, sexuality, and artistic form
- Their Eyes Were Watching God
- Hurston's 1937 novel following Janie Crawford's quest for love and self-discovery; celebrated for its use of Black Southern dialect and feminist themes
- Opportunity Magazine
- The Urban League's literary magazine that, along with The Crisis, was a key publication platform for Harlem Renaissance writers and sponsored literary contests
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